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                <text>http://www.hermitagemuseum.org/html_En/04/b2003/hm4_1_30.html</text>
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                <text>Black Square was created in 1915 by Kasimir Malevich as a “total eclipse” of objective forms – a proclamation of Suprematism, a new artistic movement that eschewed depiction of objective forms in favor of working with cosmic space – an aesthetic philosophy decades ahead of Western artists. The movement was at first well-received by the Soviets – early communists were seeking to build a new way of life, including new art forms – but eventually, such radicalism was cast aside in favor of totalitarianism and Socialist realism, and Malevich’s works were confiscated and put in storage, where they would remain until prerestroika.</text>
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                <text>Darius Altman</text>
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Re-emergence to the Western World: 1988 </text>
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                <text>http://bolshoi-theatr.ru/photo.php (an unofficial website about the Bolshoi Theatre)</text>
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                <text>Note: does not appear to have rights information on the website since it is unofficial. Since the website (from which the main image was set) is in all Russian, however, there is a possibility that the rights were embedded and I missed it even though I translated the page.</text>
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                <text>Theater for dance, opera, and more.</text>
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                <text>The Bolshoi Theater, one of the most storied and dramatic artistic sites in modern Russian history, encapsulates several different aspects of Russian history and culture.  Founded by Catherine the Great in 1776 to help promote the ballet and the arts in Russia, the Bolshoi Theater has become centrally important to not only specific events and instances in Russian history, but also in defining the changing concept of “Russianness” over time.  The sociopolitical history and material changes of the Bolshoi Theater offer a juxtaposing, unique, and ever-changing lens through which to understand the domestic and international takes on “Russianness.”</text>
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                <text>[Object biography related to Thursday's lecture]</text>
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                <text>http://www.mintorgmuseum.ru/vocabulary/84/ -- Sturgeon caviar, from the Russian Museum of Trade website</text>
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                <text>© Autonomous Nonprofit Organization “TV-Novosti”, 2005–2011. All rights reserved.&#13;
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© National Conservation Area  "St.Sophia of Kyiv", 2013&#13;
©2001 All Rights Reserved. Canadian Institute of Ukrainian Studies.&#13;
© Copyright 1995-2014 NewMedia Holdings, Inc.. All rights reserved. All trademarks and web sites that appear throughout this site are the property of their respective owners. No part of this site shall be reproduced, copied, or otherwise distributed without our express, written consent. This site is not affiliated with any government entity associated with a name similar to the site domain name.</text>
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                <text>The St. Sophia’s Cathedral in Kiev is an important monument to the increasing influence of Orthodox Christianity, as well as the flourishing of Ukrainian artistic expression, under the reign of Grand Prince Yaroslav the Wise of Kievan Rus.  This cathedral is a physical representation of the power of Kievan Rus at its height, but the cathedral also embodies a negative view of Russia in global perspective.  St. Sophia’s Cathedral, with its long history, demonstrates the darker aspect of Russianness that has a tendency to expand its influence ideologically, politically and geographically, often at the expense of local nationalities.</text>
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                <text>Autostat Analytic Agency. http://www.autostat.ru/news/view/1242/</text>
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                <text>Black bread was, since time immemorial, a ubiquitous Russian food. Born out of climactic and economic necessity, black bread has been credited with giving the Russian peasantry the physical strength necessary to crush Napoleonic France, but also blamed for separation the Western and Eastern Christian communions. It was the abundance or shortage of black bread that caused or ended famines. However, with globalization, white bread became cheaper than black bread. While black bread is well known outside of Russia, consumption of black bread in Russia is greatly reduced.</text>
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                <text> The Museum of Russian Art. N.p., n.d. Web. 01 Apr. 2014. &lt;http://tmora.org/exhibition/matryoshka-the-russian-nesting-doll/&gt;. &#13;
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                <text>Flourishing under Stalin-era reinvention of Russian national culture, Russian lacquer crafts were creations of  a Tsarist age. In fact, it was from Japanese toys and boxes that Russian craftsmen took inspiration, so it is on a borrowed canvas that this new mythology of Russian folk culture is displayed. The biography of Russian lacquer crafts is the story of an invented tradition, bridging both Russia’s relationship to the East and the Soviet relationship to the culture of pre-revolutionary Russia.</text>
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                <text>"Финский военный музей Sotamuseo." Финский военный музей Sotamuseo. N.p., n.d. Web. 31 Mar. 2014. &lt;http://miniaviamodel.ru/museum/sotamuseo.php&gt;&#13;
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© 2014 YouTube, LLC.&#13;
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