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©2001 All Rights Reserved. Canadian Institute of Ukrainian Studies.&#13;
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                <text>This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.	&#13;
You are free:&#13;
to share – to copy, distribute and transmit the work&#13;
to remix – to adapt the work&#13;
Under the following conditions:&#13;
attribution – You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).&#13;
share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.	Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. You may select the license of your choice.</text>
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                <text>Black bread was, since time immemorial, a ubiquitous Russian food. Born out of climactic and economic necessity, black bread has been credited with giving the Russian peasantry the physical strength necessary to crush Napoleonic France, but also blamed for separation the Western and Eastern Christian communions. It was the abundance or shortage of black bread that caused or ended famines. However, with globalization, white bread became cheaper than black bread. While black bread is well known outside of Russia, consumption of black bread in Russia is greatly reduced.</text>
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                <text>This website ("the Website") is intended to enhance public access to The Tank Museum.&#13;
&#13;
All text, images and multi media files on this website are protected by internationally recognised laws of copyright and intellectual property.&#13;
&#13;
The Website contains intellectual property copyright materials and works belonging to the Trustees of The Tank Museum and others, from whom the Trustees have made all reasonable efforts to obtain full consent to publish their works and materials on the Website [and to permit their use as hereinafter specified].&#13;
&#13;
Your right to access, use, print and download from The Tank Museum website is subject to your strict compliance with the terms and conditions as set out below:&#13;
&#13;
Definitions&#13;
The "Materials" means any information, artwork, text, video, audio, animation or picture files contained and comprised in the Website in whole or any part thereof and the "Museum" means The Trustees of The Tank Museum.&#13;
&#13;
Your use of the Website&#13;
You are permitted to access, download and print pages from the Materials on a temporary basis for the sole purpose of viewing them for non-commercial personal or educational purposes.&#13;
&#13;
Prohibited Use&#13;
However, the following acts are prohibited, without the prior written consent of the Museum. To:&#13;
&#13;
1. copy, reproduce, publish, post, transmit or distribute the Materials in any kind of medium;&#13;
2. extract from, manipulate, alter or modify the Materials in any way;&#13;
3. interfere with any copyright notice originally attached to the Materials;&#13;
4. store the Materials in any medium including any other database, computer programme or website;&#13;
5. broadcast, display, perform or present the materials publicly;&#13;
6. rent, lease or lend the Materials;&#13;
7. commercially publish or exploit the Materials in any manner.&#13;
&#13;
In using the Materials you warrant to the Museum that you will not knowingly infringe its intellectual property rights nor will you knowingly breach the intellectual property rights of any third party and you will comply fully with the terms and conditions contained herein.&#13;
&#13;
To request the Museum's written permission to use the Materials for any prohibited purposes or any purpose other than the purpose permitted hereunder, you must send an e-mail to the Librarian@tankmuseum.co.uk. Please note that the Museum is not obliged to give you any such permission.&#13;
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                <text>The T-34 is widely regarded as the most influential tank of WWII, credited (along with the Russian winter) with turning the tide against the Nazi’s in the east. The T-34 was both a technological and industrial marvel, coupling advanced engineering with a simplicity and economy of production allowed it to be the most produced tank of WWII. While the T-34, service in the Red Army was relatively short (it was already starting to be replaced by the end of 1944), the tank had a much longer life span for the Eastern Bloc and Soviet allies around the globe. The T-34’s success in WWII gives it a prominent place in the Russian national memory, and the tanks broad proliferation makes it a powerful symbol of Russia in the world.</text>
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                <text>"Under the Banner of Lenin - Socialist Construction"&#13;
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                <text>In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, the agencies supply high-resolution digital image files provided to them directly by the Museum's Imaging Studios.&#13;
All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053, requests@artres.com, www.artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax: 39 055 641124, firenze@scalarchives.com, www.scalarchives.com.&#13;
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Outside North America: Scala Archives&#13;
North America: Art Resource</text>
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                <text>“Under the Banner of Lenin - Socialist Construction” is a photomontage poster created by Gustav Klutsis in 1930. It is an artifact of the Soviet propaganda campaign to shift the mindset of every Russian citizen through art. Klutsis’s posters are particularly useful means of propagandizing, due to their succinct slogans and images. By 1931, Klutsis’s posters were published in large quantities by Izogiz, the publishing house under central government control. They reached a wide audience domestically and attracted international attention. More recently, Klutsis’s propaganda has been featured in museum collections abroad.</text>
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                <text>http://commons.wikimedia.org/wiki/File:Budenovka_hat,_Russian_civil_war_1918-1920-s_period._Konakovo_museum_of_local_stuides,_Russia,_2009.jpg</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Soyuz spacecraft</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>http://www.museumofflight.org/spacecraft/soyuz-tma-14-descent-module</text>
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