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                <text>http://www.hermitagemuseum.org/html_En/04/b2003/hm4_1_30.html</text>
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                <text>Black Square was created in 1915 by Kasimir Malevich as a “total eclipse” of objective forms – a proclamation of Suprematism, a new artistic movement that eschewed depiction of objective forms in favor of working with cosmic space – an aesthetic philosophy decades ahead of Western artists. The movement was at first well-received by the Soviets – early communists were seeking to build a new way of life, including new art forms – but eventually, such radicalism was cast aside in favor of totalitarianism and Socialist realism, and Malevich’s works were confiscated and put in storage, where they would remain until prerestroika.</text>
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                <text>Satellite&#13;
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                <text>Sputnik was a decisive event that initiated the Space Race. On one hand, it furthered divides between East and West, and helped kick off an arms race that led to thousands of nuclear warheads being deployed. On the other, the era of technical innovation and discovery that accompanied both the US’ and USSR’s efforts in space have proven invaluable to humanity. Sputnik represents a classic Russian solution to a scientific challenge.</text>
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                <text>http://bolshoi-theatr.ru/photo.php (an unofficial website about the Bolshoi Theatre)</text>
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                <text>Note: does not appear to have rights information on the website since it is unofficial. Since the website (from which the main image was set) is in all Russian, however, there is a possibility that the rights were embedded and I missed it even though I translated the page.</text>
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                <text>The Bolshoi Theater, one of the most storied and dramatic artistic sites in modern Russian history, encapsulates several different aspects of Russian history and culture.  Founded by Catherine the Great in 1776 to help promote the ballet and the arts in Russia, the Bolshoi Theater has become centrally important to not only specific events and instances in Russian history, but also in defining the changing concept of “Russianness” over time.  The sociopolitical history and material changes of the Bolshoi Theater offer a juxtaposing, unique, and ever-changing lens through which to understand the domestic and international takes on “Russianness.”</text>
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                <text>This website ("the Website") is intended to enhance public access to The Tank Museum.&#13;
&#13;
All text, images and multi media files on this website are protected by internationally recognised laws of copyright and intellectual property.&#13;
&#13;
The Website contains intellectual property copyright materials and works belonging to the Trustees of The Tank Museum and others, from whom the Trustees have made all reasonable efforts to obtain full consent to publish their works and materials on the Website [and to permit their use as hereinafter specified].&#13;
&#13;
Your right to access, use, print and download from The Tank Museum website is subject to your strict compliance with the terms and conditions as set out below:&#13;
&#13;
Definitions&#13;
The "Materials" means any information, artwork, text, video, audio, animation or picture files contained and comprised in the Website in whole or any part thereof and the "Museum" means The Trustees of The Tank Museum.&#13;
&#13;
Your use of the Website&#13;
You are permitted to access, download and print pages from the Materials on a temporary basis for the sole purpose of viewing them for non-commercial personal or educational purposes.&#13;
&#13;
Prohibited Use&#13;
However, the following acts are prohibited, without the prior written consent of the Museum. To:&#13;
&#13;
1. copy, reproduce, publish, post, transmit or distribute the Materials in any kind of medium;&#13;
2. extract from, manipulate, alter or modify the Materials in any way;&#13;
3. interfere with any copyright notice originally attached to the Materials;&#13;
4. store the Materials in any medium including any other database, computer programme or website;&#13;
5. broadcast, display, perform or present the materials publicly;&#13;
6. rent, lease or lend the Materials;&#13;
7. commercially publish or exploit the Materials in any manner.&#13;
&#13;
In using the Materials you warrant to the Museum that you will not knowingly infringe its intellectual property rights nor will you knowingly breach the intellectual property rights of any third party and you will comply fully with the terms and conditions contained herein.&#13;
&#13;
To request the Museum's written permission to use the Materials for any prohibited purposes or any purpose other than the purpose permitted hereunder, you must send an e-mail to the Librarian@tankmuseum.co.uk. Please note that the Museum is not obliged to give you any such permission.&#13;
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                <text>The T-34 is widely regarded as the most influential tank of WWII, credited (along with the Russian winter) with turning the tide against the Nazi’s in the east. The T-34 was both a technological and industrial marvel, coupling advanced engineering with a simplicity and economy of production allowed it to be the most produced tank of WWII. While the T-34, service in the Red Army was relatively short (it was already starting to be replaced by the end of 1944), the tank had a much longer life span for the Eastern Bloc and Soviet allies around the globe. The T-34’s success in WWII gives it a prominent place in the Russian national memory, and the tanks broad proliferation makes it a powerful symbol of Russia in the world.</text>
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                <text>"Under the Banner of Lenin - Socialist Construction"&#13;
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                <text>In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, the agencies supply high-resolution digital image files provided to them directly by the Museum's Imaging Studios.&#13;
All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053, requests@artres.com, www.artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax: 39 055 641124, firenze@scalarchives.com, www.scalarchives.com.&#13;
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Outside North America: Scala Archives&#13;
North America: Art Resource</text>
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                <text>“Under the Banner of Lenin - Socialist Construction” is a photomontage poster created by Gustav Klutsis in 1930. It is an artifact of the Soviet propaganda campaign to shift the mindset of every Russian citizen through art. Klutsis’s posters are particularly useful means of propagandizing, due to their succinct slogans and images. By 1931, Klutsis’s posters were published in large quantities by Izogiz, the publishing house under central government control. They reached a wide audience domestically and attracted international attention. More recently, Klutsis’s propaganda has been featured in museum collections abroad.</text>
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                <text>|0|0.0000000|0.0000000|osm&#13;
1900 - Nesting doll first presented at World Fair in Paris&#13;
1930's - Stalin Era cultural emphasis on Palekh crafts</text>
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    <tagContainer>
      <tag tagId="262">
        <name>Assignment: Object Bios</name>
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    </tagContainer>
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