4 15 158 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/be81c0b0bbcfeb8dc6afd4bed330cc5b.jpg c083e9e33c71eb7f1b63396755952431 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource IKEA Russia storefront Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived Vera Manykina. "Kalashnikov Machine Gun Found in IKEA Locker." Russia-IC. Accessed January 1, 2014. http://russia-ic.com/news/show/17943#.U2eVDK1dWlN. Date A point or period of time associated with an event in the lifecycle of the resource January 29, 2014 Description An account of the resource This image portrays a somewhat romantic ideal of one of IKEA’s parking lots outside of a megastore as it sits lit up at night, a bright beacon of commerce. Reading more closely, the focus of the image on a parking lot in the first place suggests that having a car is an essential part of coming to shop at IKEA, which in turn connotes a certain level of affluence and lifestyle to the experience as well. And it is a surprisingly idyllic photo for an image of nothing else besides a parking lot against the twilight sky. Taken from a Russian news page, I suggest that this is likely a stock photo that has made its rounds through the Russian media at some point or another, and as such is representative of one way that Russians conceptualize the store and its brand – to take a cue from Fitzgerald, this is not the vanishing green light at the end of a dock but rather thousands of beaming white lights signaling the arrival of the future out of the darkening sky. Commerce Economy IKEA Modernity https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/78633f0dc3bcc68e276b551a9d39c356.jpg 4ec659c1f0af35f16970a96047e03a17 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Welcome to the New Russia Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived “About IKEA Shopping Centers Russia.” Сайт Торговых Центров МЕГА. Accessed April 10, 2014. http://megamall.ru/en/company/. Description An account of the resource Featuring the bold statement, “Welcome to the New Russia,” this cartoon illustration depicts the imagined skyscrapers (in tandem with the ever-present spires of Saint Basil’s Cathedral) in Moscow’s Khimki Park region where IKEA Russia has recently invested millions to develop a new state of the art business complex. Featured here are all of the accoutrements of modern technology and transport – a plane, helicopter, satellite, radio transmitter, automobile, truck – which suggest that these are all envisioned as part of this “new” Russia that IKEA is helping to build. Additionally, the illustration points out the commercial success of IKEA’s stores across the Russian state, mentioning the 466 billion Euros of retail turnover in 2011. Yet this impressive figure is simply one facet within the larger scheme of IKEA’s presence as the largest commercial shopping center operator in the country. In total, the cartoon portrays IKEA’s self-visioning as an integral part of the wave of modernization and commercialization taking place in Moscow today. Date A point or period of time associated with an event in the lifecycle of the resource 2000 Commerce Economy IKEA Modernity https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/254c3ec9e84bf7f5646ef892eb4fd7dc.png f2cb6ebe21e182f3386a56dad231ca29 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Local URL The URL of the local directory containing all assets of the website <iframe width="640" height="390" src="//www.youtube.com/embed/3kPgmbcZJKk" frameborder="0" allowfullscreen></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource IKEA Cafe music video Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived modest vlasov. "IKEA-DYBENKO 2013 Russia." Youtube.com. Accessed May 5, 2014. https://www.youtube.com/watch?v=3kPgmbcZJKk. Date A point or period of time associated with an event in the lifecycle of the resource December 13, 2013. Description An account of the resource Both hilarious and ambiguous, this music video features a cast of assumed IKEA employees who dance to the tune “Party Rock Anthem” composed by the popular American electronic dance music duo, LMFAO. Dressed as a head of broccoli, orange moose, teddy bear in pajamas, and hot dog, the characters run around a store causing some amount of mayhem, but mostly confusion to the bemused passersby who watch them. As a visual artifact the video is a phenomenal expression of the way that IKEA might be thought of by at least a small part of the Russian population who is willing to adopt the silly charade of running around filming a music video in IKEA wearing ridiculous costumes. Even if they are employees (which is an unconfirmed assumption) this supports the idea of a company culture that would inspire and encourage (or at least not repress) such a fun pastime to take place in the store during business hours. https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/f09d76600c0ea1a598e42fb9ccbc075b.png 4f368fe57f9fd0e3e33f31b8217ff2b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On sale at IKEA Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived "Место под солнцем." Ikea Russia. Accessed May 5, 2014. http://www.ikea.com/ru/ru/. Description An account of the resource The items for sale in this photo are ones that portray an easy, affluent lifestyle – the garden chair, popsicle stick molds, fake fruit trees, glass Tupperware containers. The items are featured in bright colors and shining plastic and metals, signs of a bright modern household for the rising Russian middle class who aspires to this image of modernity. Russia’s negotiation with commercial goods from the West has a fascinating history, from the import of foodstuffs and cultural items in the Imperial era to the craze over Pepsi and blue jeans during the latter years of Soviet Rule. In the last twenty years since the fall of the Soviet Union goods have taken on a new importance as a sign of social status and the caché of new prosperity and generational change. A decade ago IKEA stepped into the void between the ostentatious purchases and extreme wealth of the New Russian oligarchs and the continued (supposedly) impoverished masses to provide goods for a rising class of people looking to define themselves anew through consumer goods. With clean, simple furniture that can be adapted in a multitude of ways to suit personal style and needs, IKEA has done just that. Date A point or period of time associated with an event in the lifecycle of the resource May 5, 2014 Commerce Economy IKEA Lifestyle https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/725623a7f2fa0addc07d33be3b89a929.jpg cbc47b6ce08e16ae96af0fb7fed393b7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recommended opening date Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived Niyaz Kaim. "The memoirs of former Ikea boss in Russia reveal an unusual truth." Image. Part of article by Svetlana Smetanina. “Living in Russia as a Foreigner: The Memoirs of Former Ikea Boss Reveal an Unusual Truth.” Accessed May 5, 2014. http://www.telegraph.co.uk/sponsored/rbth/opinion/8478418/Living-in-Russia-as-a-foreigner-the-memoirs-of-former-Ikea-boss-reveal-an-unusual-truth.html. Description An account of the resource The image here is an illustration for an article detailing the memoir published by the former head of IKEA’s Russian Operations, Lennart Dahlgren. Originally from Sweden, Ms. Dalhgren was tasked with the entry of the company into the Russian market in the early 1990s but was beset by misfortune (the collapse of the Soviet Union and the liquidation of the ruble when the government defaulted on payments) until finally opening at store, then the first MEGA mall, in 2000 and 2002 respectively. [1] He chronicles his experience of doing so in his book, and warns against buying into the myths or stereotypes that one may have heard about Russia. The reality, he says, is so much different than what you could have imagined. “Those who call themselves Russia experts usually don’t understand the first thing about it,” writes Dahlgren. “People who say they don’t know much about Russia come much closer to understanding it.” [2] Fascinatingly, although the book has only been published in two languages (Russian and Swedish) it has been titled differently in each. In Russia, one finds “IKEA loves Russia: a story of leadership, passion and perseverance.” In Sweden one finds, “Despite Absurdity: How I Conquered Russia While It Conquered Me.” [1] Dahlgren, Lennart, and 2010. “The Basics of Doing Business in Russia.” Harvard Business Review. Accessed May 5, 2014. http://blogs.hbr.org/2010/10/the-basics-of-doing-business-i/. [2] Svetlana Smetanina. “Living in Russia as a Foreigner: The Memoirs of Former Ikea Boss Reveal an Unusual Truth.” Accessed May 5, 2014. http://www.telegraph.co.uk/sponsored/rbth/opinion/8478418/Living-in-Russia-as-a-foreigner-the-memoirs-of-former-Ikea-boss-reveal-an-unusual-truth.html. Date A point or period of time associated with an event in the lifecycle of the resource 2006 Commerce Corruption Economy IKEA https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/4aa37409ec7b788d2f48542743afa693.png 5e610815578631863026486ddde6a04a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Smiling makes the day go quicker" Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived Tankus the Henge. "IKEA advert Russia/Россия - Smiling Makes The Day Go Quicker." Youtube.com. https://www.youtube.com/watch?v=V8H5qwDOp7I. Date A point or period of time associated with an event in the lifecycle of the resource February 26, 2012. Description An account of the resource This advertisement is at once bizarre and telling of Russian advertisements as we have experienced them throughout the course. While it begins with a young boy screaming at a poster in his room, it transforms into a cheerful family endeavor to redecorate (with items from IKEA, of course) in an image of what the happy, modern Russian family might look like. There is the quintessential grandmother, two parents, and two adorable children. (One of whom is going through a punk rock stage in her teens.) The use of Western music and clearly Western clothing choices as the teenager basks in the awesomeness of her wardrobe is a fantastic read into the lifestyle that IKEA wants to present to its Russian consumers – buy our wardrobes and fill them with plaid and jeans. This is hip, this is cool, this is modernity. Even the amount of actual stuff featured in the commercial – see the ending scene where the two children are surrounded by all the material comforts of their childhood – is telling for what it promotes as norms of this new consumer culture that the Russian middle class is now buying into. Advertisement Commerce Economy IKEA https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/5bbed84799ce4948556eeedfcf335acf.jpg c6b2eaf9e15eaf7f69ce65780cc93da2 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/500857c399ec5b06d420544603107b3f.mp3 788a10354de5dffc1896b79a56e9bba5 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/8350901dec87ebce1009817c0591a69b.jpg 50d74a4852817a739131f9657b8049f0 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raissa Zulok Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived Berkow, Ira. Maxwell Street: Survival in a Bazaar. Knopf Doubleday Publishing Group, 1977. M.D.H. JAPANS SYMPATHIZERS HERE.; What Manner of Men Are They? -- Russia and the United States. Accessed April 26, 2014. http://query.nytimes.com/mem/archive-free/pdf?res=FB0C17FA3A5416738DDDAF0894DB405B848CF1D3. Kaztauskis, Antanas. From Lithuania to the Chicago Stockyards--An Autobiography. The Independent. August 4, 1904. Leonard, Henry B. The Immigrants Protective League of Chicago 1908-1921. Journal of the Illinois State Historical Society (1908-1984) 66, no. 3 (October 1, 1973): 271-84. Date A point or period of time associated with an event in the lifecycle of the resource 1884-1919 Chicago Immigration oral history vantage points Women https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/13c3343d582896d3e8efc29f557d3c3f.jpg 0361f092bdc1a835ebb1a075dd93e3d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Object Biographies Description An account of the resource Here are the object biographies generated for the SW52 Unit 4 Assignment. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Still Image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Klutsis propaganda poster Source A related resource from which the described resource is derived "Under the Banner of Lenin - Socialist Construction" http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A12501&page_number=30&template_id=1&sort_order=1&background=white Creator An entity primarily responsible for making the resource Jenny Shore Date A point or period of time associated with an event in the lifecycle of the resource 1930-01-01/1931-12-31 Rights Information about rights held in and over the resource In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, the agencies supply high-resolution digital image files provided to them directly by the Museum's Imaging Studios. All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053, requests@artres.com, www.artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax: 39 055 641124, firenze@scalarchives.com, www.scalarchives.com. Requests for permission to reprint text from MoMA publications should be addressed to text_permissions@moma.org. Related links: Outside North America: Scala Archives North America: Art Resource Format The file format, physical medium, or dimensions of the resource Lithograph poster of dimensions 38 3/8 x 28 1/4" Description An account of the resource “Under the Banner of Lenin - Socialist Construction” is a photomontage poster created by Gustav Klutsis in 1930. It is an artifact of the Soviet propaganda campaign to shift the mindset of every Russian citizen through art. Klutsis’s posters are particularly useful means of propagandizing, due to their succinct slogans and images. By 1931, Klutsis’s posters were published in large quantities by Izogiz, the publishing house under central government control. They reached a wide audience domestically and attracted international attention. More recently, Klutsis’s propaganda has been featured in museum collections abroad. Assignment: Object Bios Constructivism Photomontage Propaganda https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/85c51d1c67974cee6af781faec0741f2.jpg 2b673fe6c309dfbb3247175952512344 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/6a4837f788c71dc68e8133bcc1873464.mp3 f78667cdd0aacabeddf0a213343e705a https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/38e22ce458dd48bfee1877d02b7766d2.jpg a2f7bd212d0380ff475c1860bbaf47a2 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Genendel Bloom Creator An entity primarily responsible for making the resource Jenny Shore Source A related resource from which the described resource is derived Zalkin, Mordechai. Lomza. The YIVO Encyclopedia of Jews in Eastern Europe. Accessed April 28, 2014. http://www.yivoencyclopedia.org/article.aspx/omza. Ellis Island Foundation. The Ellis Island Ship Database, Finland, n.d. Accessed April 28, 2014, http://www.ellisisland.org/search/ship_passengers.asp?letter=f&half=1&sname=Finland&year=1912&sdate=12/12/1912&port=Antwerp&page=2. Soyer, Daniel. Jewish Immigrant Associations and American Identity in New York. Cambridge: Harvard University Press, 1997. Cahan, Abraham. The Russian Jew in America. Atlantic Monthly LXXXII (July 1898): 263-287. Accessed April 28, 2014, http://tenant.net/Community/LES/cahan5.html. Lowe, Heinz-Dietrich. Chapter IV - The Reign of Alexander III: From Pogroms to Counter-Reforms. Universitat Heidelburg. Online. Accessed April 28, 2014, http://www.uni-heidelberg.de/fakultaeten/philosophie/zegk/sog/loewe_artikel_the_reign.html. Ghiuzeli, Haim F., The Jewish Community of Antwerp, Belgium. Beit Hatfutsot Museum of the Jewish People. Online. Accessed April 28, 2014. http://www.bh.org.il/database-article.aspx?48207. Diner, Hasia R., Lower East Side Memories: A Jewish Place in America (Princeton: Princeton University Press, 2000). Rischin, Moses. The Promised City: New Yorks Jews 1870-1914 (Cambridge: Harvard University Press, 1962). Holladay Claghorn, Kate. The Foreign Immigrant in New York City. Reports of the Industrial Commission, Volume XV (Washington, D.C.: United States Government Printing Office, 1901): 465-492. Accessed April 28, 2014, http://tenant.net/Community/LES/clag1.html. http://www.gjenvick.com/Immigration/EllisIsland/1913-01-ImmigrantsGoingThroughEllisIsland.html#axzz30CI2fiPb Date A point or period of time associated with an event in the lifecycle of the resource 1856-1932 Jews Mobility oral history Tradition vantage points https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/89bb6ae11615c8bab6ef2d47b9026576.jpg 983a1d1b56440edb1d6c5f7ea251f34f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Object Biographies Description An account of the resource Here are the object biographies generated for the SW52 Unit 4 Assignment. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Still Image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bottle of Stolichnaya vodka Source A related resource from which the described resource is derived http://spimport.ru/brands/products.php?id=12 Creator An entity primarily responsible for making the resource Kelly O'Neill Description An account of the resource [Object biography related to Thursday's lecture] Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |0|0.0000000|0.0000000|osm POINT(468775.67416835984 6062863.314044959) Date A point or period of time associated with an event in the lifecycle of the resource 1938-01-01/2014-12-31 Assignment: Object Bios https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/481731ac8024fc879ca4277f960c5143.png cde92595a2ae19149e4fc0c6505f8844 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data online map Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timeline sample Description An account of the resource Screenshot of the Unit 1 timeline Creator An entity primarily responsible for making the resource Kelly O'Neill Assignment: Trajectories https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/08cef4098a37c1fedab432e55a0b15f1.jpg 125ec45fdf0423e440237c7ed14ed96a https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/dcc6ee8312d9a7f18412f6cf6975c20f.jpg 729f28453a974a736090913ebddfda57 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/4c4b4b7deb99a1ed8d7dff9671b5a0c6.jpg 9bd0bd2d2122bad4ec35df9a45728c25 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/e2cf766703374c0e53229436f6bda69c.jpg b45907620acf937022848b57f5ac6ac5 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/a84f0f763f7280bf4fe1cc15fcef61c0.jpg f9e4a876cb80d0435a05a78810c413f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Object Biographies Description An account of the resource Here are the object biographies generated for the SW52 Unit 4 Assignment. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Still Image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matryoshka doll or palekh box Source A related resource from which the described resource is derived The Museum of Russian Art. N.p., n.d. Web. 01 Apr. 2014. <http://tmora.org/exhibition/matryoshka-the-russian-nesting-doll/>. Terletski, Michael. Matryoshka Nesting Dolls." Nesting Dolls History. N.p., n.d. Web. 29 Mar. 2014. <http://russian-crafts.com/crafts-history/nesting-dolls-history.html> Creator An entity primarily responsible for making the resource Lara Zysman Publisher An entity responsible for making the resource available The Museum of Russian Art Russian Crafts Date A point or period of time associated with an event in the lifecycle of the resource January 1, 1900/December 31, 1917 Format The file format, physical medium, or dimensions of the resource Lacquered wood craft. Description An account of the resource Flourishing under Stalin-era reinvention of Russian national culture, Russian lacquer crafts were creations of a Tsarist age. In fact, it was from Japanese toys and boxes that Russian craftsmen took inspiration, so it is on a borrowed canvas that this new mythology of Russian folk culture is displayed. The biography of Russian lacquer crafts is the story of an invented tradition, bridging both Russia’s relationship to the East and the Soviet relationship to the culture of pre-revolutionary Russia. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |0|0.0000000|0.0000000|osm 1900 - Nesting doll first presented at World Fair in Paris 1930's - Stalin Era cultural emphasis on Palekh crafts Assignment: Object Bios https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/e2345d033ba5c50995db53d4e5d5d84d.jpg da97ed03f2ce6bc2ad4d962e9aa48db0 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/d50ca0c31a4d419832beaffabf0c7c04.mp3 868145440351743895d1aa66a8d208f7 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/b197909842c95ffeaf4338bba3e5dd4b.jpg cc2752ee79f64c82310889954a6078f8 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/4ee51ccbb5056dea33633dce824b7a74.jpg 061671c647fc427befd70d7eb73d925b Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Channe Achnochi Creator An entity primarily responsible for making the resource Lara Zysman Source A related resource from which the described resource is derived Simon, Rita J. In the Golden Land: A Century of Russian and Soviet Jewish Immigration in America. Westport, CT: Praeger, 1997. Print.; Meltzer, Milton. Taking Root: Jewish Immigrants in America. New York: Farrar, Straus, and Giroux, 1976. Print.; Yezierska, Anzia. Bread Givers: A Novel: A Struggle between a Father of the Old World and a Daughter of the New. New York: Persea, 1975. Web. Date A point or period of time associated with an event in the lifecycle of the resource 1885-? Family Jews oral history Rabbi vantage points https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/23d9d3089ffb4863e6cce505bb18c492.jpg 75968c7dd37e1a9499869d6bbc04dd71 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/8341f48af5c101478fc7e7c9380fb081.jpg 428eeec27bce814366bc422082686652 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/e1fe29d3f0fb8bae7cf51f18d44d6215.jpg 001fb0f33c16a9dca60f860b0508cc1c https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/f5c54aee7d341f690d155b8b938220c7.jpg edea595507fa89867ed68ecdd3fe7a4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Object Biographies Description An account of the resource Here are the object biographies generated for the SW52 Unit 4 Assignment. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Still Image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molotov Cocktail Source A related resource from which the described resource is derived "Финский военный музей Sotamuseo." Финский военный музей Sotamuseo. N.p., n.d. Web. 31 Mar. 2014. <http://miniaviamodel.ru/museum/sotamuseo.php> "Molotov Cocktail in Slow Motion - The Slow Mo Guys." YouTube. YouTube, 28 Sept. 2012. Web. 30 Mar. 2014. <https://www.youtube.com/watch?v=lfvceHUBWnU>. "Friends of Refugees." Friends of Refugees. N.p., 4 June 2012. Web. 30 Mar. 2014. <http://forefugees.com/tag/molotov-cocktail/>. "The Molotov Cocktail." The Molotov Cocktail. Freedom Manual, 28 Dec. 2009. Web. 30 Mar. 2014. <http://freedommanual.blogspot.com/2009/12/molotov-coctail.html>. Creator An entity primarily responsible for making the resource Linda Buehler Date A point or period of time associated with an event in the lifecycle of the resource 1936-09-01 Rights Information about rights held in and over the resource © 2003–2009 PunBB. © 2014 YouTube, LLC. The following terms and conditions govern all use of the WordPress.com website and all content, services and products available at or through the website, including, but not limited to, Jetpack by WordPress.com (“Jetpack”) and the WordPress.com VIP hosting service (“VIP Service”), (taken together, the Website). The Website is owned and operated by Automattic, Inc. (“Automattic”). The Website is offered subject to your acceptance without modification of all of the terms and conditions contained herein and all other operating rules, policies (including, without limitation, Automattic’s Privacy Policy) and procedures that may be published from time to time on this Site by Automattic (collectively, the “Agreement”). Copyright © 1999 – 2014. Description An account of the resource Existing first as a makeshift, anti-Soviet bomb, the Molotov cocktail has taken on meaning as not only a material weapon of guerilla warfare, but also an international symbol of resistance. As an explosive device, the Molotov cocktail has a long history of deployment by revolutionary, ironically anti-soviet, forces. This tradition carries over into the 1956 Hungarian Revolution and contemporary crisis in the Ukraine. Beyond that, the Molotov cocktail also holds meaning as a cultural object of resistance, seen in its idiomatic appropriation by agents of the American media and entertainment culture. Assignment: Object Bios https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/537339c55cfc02d9d8bf081f9e76f0e1.jpg 44bf2274e9f2324c501bc5f3c01aa603 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tamara: The Blokadnitsy Project Description An account of the resource This portrait was one of many featured in The Blokadnitsy Project, a photo exhibit put on in CGIS South this past fall semester. The Blokadnitsy Project aimed to document the experiences of those women who survived the Siege of Leningrad in WWII. Under Tamara's story is the caption "Мы никогда не будем говорить на одном языке“ or “We will never speak the same language.” Tamara tells Bough these words at the very beginning of her story, expressing that her experiences in the blockade cannot be understood by those who have not had this experience. Despite this warning, Bough still forcibly tells Tamara's story in a neat and orderly fashion. This forced attempt to depict and understand Russia tension between translatability and untranslatability of Russian experience. Perhaps, its better to leave some aspects of another country, person, experience as a mystery. Creator An entity primarily responsible for making the resource Linda Buehler Source A related resource from which the described resource is derived Bough, Jill. "Tamara: The Blokadnitsy Project." Jill Bough Photography. Accessed on May 5, 2014. <http://jillboughphoto.com/projects/blokadnitsy-project/tamara/> Date A point or period of time associated with an event in the lifecycle of the resource 11/7/2013-12/16/2013 Blokadnitsy Project Harvard Military conflict Siege of Leningrad