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              <text>&lt;iframe width="640" height="390" src="//www.youtube.com/embed/3kPgmbcZJKk" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;</text>
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                <text>IKEA Cafe music video</text>
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                <text>Jenna Louie</text>
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                <text>modest vlasov. "IKEA-DYBENKO 2013 Russia." Youtube.com. Accessed May 5, 2014. https://www.youtube.com/watch?v=3kPgmbcZJKk. </text>
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                <text>December 13, 2013.</text>
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                <text>Both hilarious and ambiguous, this music video features a cast of assumed IKEA employees who dance to the tune “Party Rock Anthem” composed by the popular American electronic dance music duo, LMFAO. Dressed as a head of broccoli, orange moose, teddy bear in pajamas, and hot dog, the characters run around a store causing some amount of mayhem, but mostly confusion to the bemused passersby who watch them. As a visual artifact the video is a phenomenal expression of the way that IKEA might be thought of by at least a small part of the Russian population who is willing to adopt the silly charade of running around filming a music video in IKEA wearing ridiculous costumes. Even if they are employees (which is an unconfirmed assumption) this supports the idea of a company culture that would inspire and encourage (or at least not repress) such a fun pastime to take place in the store during business hours. </text>
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                <text>IKEA Moscow</text>
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                <text>Synk Arkitektur. "Ikea Moscow." Image. Accessed May 5, 2014. http://www.synkark.se/2010/01/ikea-moscow/.</text>
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                <text>A fascinating illustration, the clearly photoshopped image here depicts the iconic “IKEA” logo in the Cyrillic alphabet (as it is used in Russia) supporting the spires and domes of the famous Saint Basil’s Cathedral in Moscow. It is important to note that the image comes from the Swedish architectural firm Synk Architekture, who seemingly designed the first megastore that IKEA opened in Moscow in 2000. Thus, one might read this image as a bold statement portraying how the Swedish conceptualize IKEA figuratively supporting Russian traditions and the idea of “Russianness” itself. Indeed the hazy blue background, making the colors of the IKEA logo and the domes of Saint Basil’s more visible in relief, gestures to the standalone nature of the illustration – IKEA and Russia are in it together, making the architectural firm’s work that much more essential and important. </text>
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                <text>Jenna Louie</text>
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                <text>IKEA Russia storefront</text>
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                <text>Vera Manykina. "Kalashnikov Machine Gun Found in IKEA Locker." Russia-IC. Accessed January 1, 2014. http://russia-ic.com/news/show/17943#.U2eVDK1dWlN.</text>
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                <text>January 29, 2014</text>
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                <text>This image portrays a somewhat romantic ideal of one of IKEA’s parking lots outside of a megastore as it sits lit up at night, a bright beacon of commerce. Reading more closely, the focus of the image on a parking lot in the first place suggests that having a car is an essential part of coming to shop at IKEA, which in turn connotes a certain level of affluence and lifestyle to the experience as well. And it is a surprisingly idyllic photo for an image of nothing else besides a parking lot against the twilight sky. Taken from a Russian news page, I suggest that this is likely a stock photo that has made its rounds through the Russian media at some point or another, and as such is representative of one way that Russians conceptualize the store and its brand – to take a cue from Fitzgerald, this is not the vanishing green light at the end of a dock but rather thousands of beaming white lights signaling the arrival of the future out of the darkening sky.</text>
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                <text>International Tchaikovsky Competition at the Moscow Conservatory </text>
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                <text>The International Tchaikovsky Competition is a world-renowned music competition for singers, pianists, violinists and cellists held every four years at the Moscow Conservatory. The contest consists of several rounds of competition which are held in the performance halls of the Moscow Conservatory including the Great Hall. Winners of this prestigious musical contest can win up to 20,000 euros and often earn worldwide fame. Previous winners of the competition have included Van Cliburn and Deborah Voigt among others. </text>
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                <text>Ivan Feodorovich Budzan</text>
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                <text>Sources:  Riasanovsky, Nicholas V. A History of Russia. New york: Oxford University Press, 2000. 200-230. Print.  "Beautiful Town Podolsk." Russia Travel. N.p.. Web. 28 Apr 2014. &lt;http://www.russia-travel.ws/regions/Podolsk/&gt;.  "Item: Ivan Feodor(-ovich) BUDZANItem: Ivan Feodor(-ovich) BUDZAN." Library and Archives Canada. N.p.. Web. 28 Apr 2014. &lt;http://www.bac-lac.gc.ca/eng/discover/immigration/immigration-records/immigrants-russian-empire/Pages/item.aspx?IdNumber=63&amp;&gt;.</text>
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                <elementText elementTextId="272">
                  <text>Object Biographies</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="273">
                  <text>Here are the object biographies generated for the SW52 Unit 4 Assignment.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="387">
              <text>Still Image</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="385">
                <text>Klutsis propaganda poster</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="386">
                <text>"Under the Banner of Lenin - Socialist Construction"&#13;
&#13;
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A12501&amp;page_number=30&amp;template_id=1&amp;sort_order=1&amp;background=white</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="502">
                <text>Jenny Shore</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="503">
                <text>1930-01-01/1931-12-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="504">
                <text>In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, the agencies supply high-resolution digital image files provided to them directly by the Museum's Imaging Studios.&#13;
All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053, requests@artres.com, www.artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax: 39 055 641124, firenze@scalarchives.com, www.scalarchives.com.&#13;
Requests for permission to reprint text from MoMA publications should be addressed to text_permissions@moma.org.&#13;
Related links:&#13;
Outside North America: Scala Archives&#13;
North America: Art Resource</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="505">
                <text>Lithograph poster of dimensions 38 3/8 x 28 1/4"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="529">
                <text>“Under the Banner of Lenin - Socialist Construction” is a photomontage poster created by Gustav Klutsis in 1930. It is an artifact of the Soviet propaganda campaign to shift the mindset of every Russian citizen through art. Klutsis’s posters are particularly useful means of propagandizing, due to their succinct slogans and images. By 1931, Klutsis’s posters were published in large quantities by Izogiz, the publishing house under central government control. They reached a wide audience domestically and attracted international attention. More recently, Klutsis’s propaganda has been featured in museum collections abroad.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="262">
        <name>Assignment: Object Bios</name>
      </tag>
      <tag tagId="134">
        <name>Constructivism</name>
      </tag>
      <tag tagId="133">
        <name>Photomontage</name>
      </tag>
      <tag tagId="132">
        <name>Propaganda</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
