6 15 158 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/509847b1f20702d23f36449a73766eb1.jpg c6b2eaf9e15eaf7f69ce65780cc93da2 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/a9f746788eb73ab1cd75d71dfcc4870c.jpg 50d74a4852817a739131f9657b8049f0 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/fe770ee80e2eb83e1f0fe74f673662b4.mp3 788a10354de5dffc1896b79a56e9bba5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raissa Zulok Creator An entity primarily responsible for making the resource Jenna Louie Source A related resource from which the described resource is derived Berkow, Ira. Maxwell Street: Survival in a Bazaar. Knopf Doubleday Publishing Group, 1977. M.D.H. JAPANS SYMPATHIZERS HERE.; What Manner of Men Are They? -- Russia and the United States. Accessed April 26, 2014. http://query.nytimes.com/mem/archive-free/pdf?res=FB0C17FA3A5416738DDDAF0894DB405B848CF1D3. Kaztauskis, Antanas. From Lithuania to the Chicago Stockyards--An Autobiography. The Independent. August 4, 1904. Leonard, Henry B. The Immigrants Protective League of Chicago 1908-1921. Journal of the Illinois State Historical Society (1908-1984) 66, no. 3 (October 1, 1973): 271-84. Date A point or period of time associated with an event in the lifecycle of the resource 1884-1919 Assignment: Vantage Points https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/010d28f45cef92b282f3545250f6ed07.jpg 8873abf05271ffe7bfff66a2c414e76b https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/9f473eaa8cf238aa7a13e40ca9602f17.mp3 42d2fe9264b98cf3f60aa0894397216b https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/d50a5ba9ab43f882b152997cbc4b7348.jpg 72917928457cb6ac9b1b1c56e292e075 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Schmuel Abrahams Creator An entity primarily responsible for making the resource Michael Sanders Source A related resource from which the described resource is derived Nicholas II : the life and reign of Russia's last monarch; Dukhobors in Georgia : a study of the issue of land ownership and inter-ethnic relations in Ninotsminda rayon Date A point or period of time associated with an event in the lifecycle of the resource 1878-? Assignment: Vantage Points https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/109d98b47f489a35a7d3f05f3de8e48e.mp3 643a4d53f393572ebd7c24f08fbc9783 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/8814b278335eee472d5cc92089a04df2.jpg 2fa8e8010fea6e64c607495b14e4eb76 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/9d56356392e2a38051beb158e4eed426.png 61d3162f8a261643da9db89603120a2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mariam Raschberg Creator An entity primarily responsible for making the resource Rena Wang Source A related resource from which the described resource is derived http://www.ellisisland.org/search/passRecord.asp?MID=06159238210873810528&LNM=RAS&PLNM=RAS&last_kind=1&town_kind=0&ship_kind=0&TOWN=null&SHIP=null&RF=3223&ETHS=40&pID=604767060091, http://ukrainetrek.com/odessa-city, http://faculty.history.umd.edu/BCooperman/NewCity/Pogrom1905.html, http://www.economist.com/node/3490716 Date A point or period of time associated with an event in the lifecycle of the resource 1845-1918 Assignment: Vantage Points https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/8300fbbed4b533727e0be76027a2dec8.jpg 6489b32db3b73ae6d1cf63ee45bdf3f9 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/a1fe95a63f55325d5bbc9f8355469008.jpg 09863c70cfd4cd2c36a9b1b81e265f94 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lopatkina's Injury Date A point or period of time associated with an event in the lifecycle of the resource Summer 2001 Description An account of the resource In 2001, Ulyana Lopatkina suffered a serious injury that forced her to stop dancing for two years, during which time she married and had a daughter. Interestingly, it was Mikhail Baryshnikov—one of the greatest ballet dancers alive and a former Kirov dancer before his defection—arranged the operation that Lopatkina had on her leg to correct her injury (Yudina). Lopatkina’s return to ballet following her injury-prompted sabbatical demonstrates an extreme sense of determination and dedication, especially when one considers the fact that most ballerinas do not return to dance once they have had a baby. Yet the story of Lopatkina’s injury, which is tied up with the moment in which she became a mother, contains a deep sense of melancholy, which is extremely pertinent to the idea of Russianness presented in this exhibit. In an interview following her return to the stage—where she is still considered one of the best ballet dancers in the world—Lopatkina says, “I am terrified what resonance [my return to ballet] will have for the future of my child. I imagine myself at my death, thinking, did my child see me do the best thing for her, did I live my life right? Those sort of thoughts are always with me now […] Even if I have the opportunity to have another child, I will not be able to detach myself from my life in art. This is how I feel today” (Lopatkina qtd. Brown). Word Count: 242 Source A related resource from which the described resource is derived Brown, Ismene. “Ulyana Lopatkina: The Beanpole Who Became the Soul of Russia.” ArtsDesk.com. The Arts Desk Ltd., 9 Jul. 2005. Web. 21 Apr. 2014. Kirov Ballet. “Uliana Lopatkina as Odile in Swan Lake.” Photograph. Ballet.magazine. N.p., 1 Jun. 2005. Web. 22 Apr. 2014. Ross, John. “Uliana Lopatkina—La Valse.” Photograph. Ballet.co Galleries. N.p., 25 May 2004. Web. 22 Apr. 2014. Yudina, Anna. “Prominent Russians: Ulyana Lopatkina.” Russiapedia. TV-Novosti, 2011. Web. 21 Apr. 2014. Cultural diffusion Russian Federation State and the arts https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/f9536eaae8eb5ab1cb23bc7afb08df17.jpg 72b9f7122c83b2fe48cea7dbba603ec3 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/0b84d3f1734f766cb9e6520b132eafd8.jpg e4f0db352344034900a5cf8c1bd72bcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soloviev's Suicide Date A point or period of time associated with an event in the lifecycle of the resource January 12, 1977 Source A related resource from which the described resource is derived “Blue Bird in The Sleeping Beauty.” Photograph. For Ballet Lovers Only. N.p., 2009. Web. 22 Apr. 2014. “Le Corsaire.” Photograph. For Ballet Lovers Only. N.p., 2009. Web. 22 Apr. 2014. Lobenthal, Joel and Lisa Whitaker. “Tatiana Legat on Yuri Soloviev.” Ballet Review 38.3 (2010): 55-67. Web. 22 Apr. 2014 Description An account of the resource In 1977 the great dancer Yuri Soloviev killed himself. The fact that he killed himself in his beloved dacha makes his death more haunting, for “it is tragic to think that in a dark hour he was drawn back to his roots” (Lobenthal 55). Though the reasons for Soloviev’s suicide remain obscured, interviews with Tatiana Legat, Soloviev’s widow, reveal that “Yura [Tatiana’s pet name for her husband] was always being pressed to join the Party” and that Soloviev was once explicitly told, “You’re an embodiment of what a Russian Communist is. You need to join the Party” (Legat qtd. Lobenthal 62). Additionally, in the months leading up to his suicide it appears that Soloviev was in an increasing amount of physical pain and did not feel he was dancing to his best ability. Legat says, “But his back hurt, his legs hurt. And I said, ‘Well, don’t [do the variation], just stand and strike some poses.’ He said, ‘I can’t. You know who I am and you know what my position is, that I’m a People’s Artist, etc. I have to do it. How can people come to the theater and say, ‘But he didn’t dance.’’ I said to him, ‘It doesn’t matter if you don’t do it. Any pose that you do, you will do it right and beautifully and everybody will love it.’ In Romeo and Juliet there’s a lot of running, and he was in such pain. He couldn’t run. He still ran, because he felt he had to. He was just happy that he hadn’t disappointed anybody – Kolpakova, his Juliet, or the public: ‘Thank God I got through everything’” (Legat qtd. Lobenthal 67). Soloviev’s death clearly embodies a sense of tragedy and sheer determination that is fundamental to the idea of Russianness presented in this exhibit. Word Count: 300 Despair Existentialism in Russian Culture State power https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/1c9c84677fcac71872cba7f003cda465.jpg 241fcbd48e5fc981e86e9fd87d0b094d https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/1542e91898e4ffeddddcb1eed6525573.jpg 534433b96daf390734f29a9328581a0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nureyev's Defection Date A point or period of time associated with an event in the lifecycle of the resource June 16, 1961 Source A related resource from which the described resource is derived Bild, Pressens. “Press Photo of Rudolf Nurejev [sic] at His Defection from the Soviet Union 1961.” Photograph. Wikipedia. Wikipedia Foundation Inc., 28 Mar. 2014. Web. 22 Apr. 2014. “Rudolf Nureyev—‘Aureole.’” Front Row Photos. N.p., n.d. Web. 22 Apr. 2014. Smith, Dinita. “New Light on Nureyev’s Grand Leap to the West.” The New York Times. The New York Times Company, 6 Oct. 1998. Web. 21 Apr. 2014. “1961—Nureyev Defects to the West.” Rudolf Nureyev Foundation. Rudolf Nureyev Foundation, 2012. Web. 21 Apr. 2014. Description An account of the resource In June 1961, Rudolf Nureyev, along with other members of the Kirov company, arrived at the Paris airport in order to fly to London, the next stop on their tour. Nureyev however “given a ticket to Moscow and told he was needed for a gala” (“1961—Nureyev Defects”). The KGB had been monitoring Nureyev and were disturbed by the fact that he often went out with French dancers and locals while in Paris. The Soviet government feared that they might lose Nureyev, their best and most famous ballet dancer, to the West; consequently, they attempted to use several different tactics to persuade Nureyev to return to the Soviet Union. But Nureyev was doubtful of “[Soviet] assurances that he would rejoin the company in London” and instead felt “sure he would never again be allowed out of Russia and would face relegation back home” (“1961—Nureyev Defects”). With the help of some friends in Paris, Nureyev managed to secure political asylum in France and his career continued to flourish in the West. Nureyev’s defection clearly demonstrates a sense of dedication and a sense of bittersweet sacrifice, for although Nureyev was able to escape to the West, for years after his defection “all his travelling had to be done on temporary documents” (“1961—Nureyev Defects”). Nureyev was sentenced to prison by the USSR and it was only by a special 48-hour visa that Nureyev was able to visit his ailing mother in the USSR before she died. Thus, Nureyev’s defection embodies the sense of tragedy that is part of the idea of “Russianness” presented in this exhibit. Word Count: 265 Cultural commodification Cultural diffusion Dispersion Mobility https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/54d6d86d9f3ae7f9e5b8aa5817849d00.png 6928fefbd99bbb46eea5a41ed302cefd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Power wall text https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/3089204d82c875fa3e8825a409b9b66c.png d08d530b127fa9d596c8aef6fd15cb27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource notes 1 https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/eb5769faef782e35794ef8b6fe5cceb8.jpg c2ff44cfa7ed8680a869bd0f781cec0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource images of russianness Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lenin carpet