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                <text>Offered this year for the first time, Societies and the World 52: The Phoenix &amp; The Firebird is an interdisciplinary approach to understanding Russia and its place in the contemporary global climate. Taught by a member of the Slavic Languages and Literature Department and a member of the History Department, the course bridges the gap in understanding Russianness and Russian studies expressed by both Posin and Engerman. It is not enough to understand Russia as simply a site of rich literature and culture, or as a site of historical and political importance, but rather, both.  The inclusion of this  course in the General Education program indicates that on some level Harvard believes that it is not only content that matters when addressing studies of Russia, but also, methodology.</text>
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“Le Corsaire.”  Photograph.  For Ballet Lovers Only.  N.p., 2009.  Web.  22 Apr. 2014.  &#13;
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Word Count: 300&#13;
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                <text>Britannica Online Encyclopedia. “Vladimir I (grand Prince of Kiev).” Encyclopaedia Britannica 2014. Web. 3 May 2014. Encyclopaedia Britannica Online Academic Edition.&#13;
&#13;
Sevcenko, Ihor. “The Christianization of Kievan Rus’.” The Polish Review 5.4 (1960): 29–35. Print.&#13;
&#13;
Vasnetsov, Viktor M. Крещение Князя Владимира. Фрагмент Росписи Владимирского Собора В Киеве. N. p., 1885. Wikimedia Commons. Web. 4 May 2014.&#13;
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                  <text>Here are the object biographies generated for the SW52 Unit 4 Assignment.</text>
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                <text>Tank Museum &#13;
http://www.tankmuseum.org/ixbin/indexplus?_IXSS_=%2524%2bwith%2bmus_catalogue%2band%2b%2528B%252a%2bin%2bmus_current_location_building%2bindex%2bmus_text_location%2529%3d%252e%26_IXMENU_%3dVehicles%26%253amus_text_location%3dBOVTM%26_IXACTION_%3dsummary%26B%252a%2bin%2bmus_current_location_building%2bindex%2bmus_text_location%3d%252e%26%253atext%3dt%252d34%26_IXMAXHITS_%3d12%26_IXtext%3dt%252d34%26_IXSESSION_%3dO6cvSRIQ2Jm%26bov_main_utility_type%3d%26_IXFPFX_%3dtemplates%252ffull%252ftvod%252ft%26%253amus_administration_name%3dVEH%26_IXDB_%3d&amp;_IXFIRST_=3&amp;_IXSPFX_=templates/full/tvod/t&amp;_IXMAXHITS_=1&amp;submit-button=summary&amp;_IXMENU_=Vehicles</text>
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                <text>This website ("the Website") is intended to enhance public access to The Tank Museum.&#13;
&#13;
All text, images and multi media files on this website are protected by internationally recognised laws of copyright and intellectual property.&#13;
&#13;
The Website contains intellectual property copyright materials and works belonging to the Trustees of The Tank Museum and others, from whom the Trustees have made all reasonable efforts to obtain full consent to publish their works and materials on the Website [and to permit their use as hereinafter specified].&#13;
&#13;
Your right to access, use, print and download from The Tank Museum website is subject to your strict compliance with the terms and conditions as set out below:&#13;
&#13;
Definitions&#13;
The "Materials" means any information, artwork, text, video, audio, animation or picture files contained and comprised in the Website in whole or any part thereof and the "Museum" means The Trustees of The Tank Museum.&#13;
&#13;
Your use of the Website&#13;
You are permitted to access, download and print pages from the Materials on a temporary basis for the sole purpose of viewing them for non-commercial personal or educational purposes.&#13;
&#13;
Prohibited Use&#13;
However, the following acts are prohibited, without the prior written consent of the Museum. To:&#13;
&#13;
1. copy, reproduce, publish, post, transmit or distribute the Materials in any kind of medium;&#13;
2. extract from, manipulate, alter or modify the Materials in any way;&#13;
3. interfere with any copyright notice originally attached to the Materials;&#13;
4. store the Materials in any medium including any other database, computer programme or website;&#13;
5. broadcast, display, perform or present the materials publicly;&#13;
6. rent, lease or lend the Materials;&#13;
7. commercially publish or exploit the Materials in any manner.&#13;
&#13;
In using the Materials you warrant to the Museum that you will not knowingly infringe its intellectual property rights nor will you knowingly breach the intellectual property rights of any third party and you will comply fully with the terms and conditions contained herein.&#13;
&#13;
To request the Museum's written permission to use the Materials for any prohibited purposes or any purpose other than the purpose permitted hereunder, you must send an e-mail to the Librarian@tankmuseum.co.uk. Please note that the Museum is not obliged to give you any such permission.&#13;
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                <text>The T-34 is widely regarded as the most influential tank of WWII, credited (along with the Russian winter) with turning the tide against the Nazi’s in the east. The T-34 was both a technological and industrial marvel, coupling advanced engineering with a simplicity and economy of production allowed it to be the most produced tank of WWII. While the T-34, service in the Red Army was relatively short (it was already starting to be replaced by the end of 1944), the tank had a much longer life span for the Eastern Bloc and Soviet allies around the globe. The T-34’s success in WWII gives it a prominent place in the Russian national memory, and the tanks broad proliferation makes it a powerful symbol of Russia in the world.</text>
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