1
15
158
-
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/0876278a6fb456b74e13498fa1c7fe25.jpg
698001d7727cab5289566374db445d9e
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Reactionary, Catholic and Despotic Poland."
Description
An account of the resource
<p> The Polish Insurrection demonstrates the extent to which American diplomacy prioritized a strong relationship with Russia during the Civil War. In January 1863, protests against conscription in Poland exploded into a general rebellion against Russian rule.<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftn1">[1]</a> The official diplomatic response of the United States reveals both the geopolitical conception of Russia as an unofficial ally and the perception of Alexander II as a respectable and just ruler.</p>
<p> Since the <em>realpolitik</em> of European relations in the mid-19<sup>th</sup> century had already shaped the progression of Russo-American relations, unsurprisingly the relationships between Britain, France, the United States, and Russia would shape American policy regarding Poland. In May, Britain and France requested that the United States join an official statement of disapproval.<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftn2">[2]</a> As discussed, Britain and France had become the unofficial counterbalance to the <em>de facto</em> alignment of the United States and Russia, and therefore the American refusal to intervene reinforced this friendship.</p>
<p> The language of American diplomats at that time, however, reveals that American unity was not simply a practical response to geopolitics. In his official response to the French, Secretary of State William Seward referenced the “enlightened and humane character” of Alexander II, so described for his emancipation of the serfs and “effective administration of justice.”<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftn3">[3]</a> Such high language demonstrated the respect for Russia that the American government openly espoused, especially in light of its own recent emancipation. Somewhat less appealing was the private comment of Cassius Clay, minister to Russia. In a reply to Seward in June 1863, Clay contrasted “<em>liberal </em>Russia” with “<em>reactionary</em>, Catholic and despotic Poland.”<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftn4">[4]</a> At least privately, enthusiasm for Russia both as an ally and a fellow emancipator could lead American diplomats to criticize the Polish insurrection as the enemy of progressive Russian rule.</p>
<div><br clear="all" /><hr align="left" size="1" width="33%" />
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftnref1">[1]</a> Joseph Wieczerzak, “American Reactions to the Polish Insurrection.” <em>Polish-American Studies</em> 22, no. 2. (Jul.-Dec., 1965): 92.</p>
</div>
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftnref2">[2]</a> Benjamin Platt Thomas, <em>Russo-American Relations, 1815-1867</em>. (Baltimore: The Johns Hopkins Press, 1930)<em>, </em>136-137.</p>
</div>
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftnref3">[3]</a> <em>Papers Relating to Foreign Affairs</em>. (Washington: Government Printing Office, 1864), 667.</p>
</div>
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Polish%20Item.docx#_ftnref4">[4]</a> “American Reactions to the Polish Insurrection,” 94.</p>
</div>
</div>
Creator
An entity primarily responsible for making the resource
Samuel Coffin
Source
A related resource from which the described resource is derived
<div>
<p><em>Papers Relating to Foreign Affairs</em>. Washington: Government Printing Office, 1864.</p>
</div>
<div>
<p>Benjamin Platt Thomas, <em>Russo-American Relations, 1815-1867</em>. Baltimore: The Johns Hopkins Press, 1930.<br /><br />Joseph Wieczerzak, “American Reactions to the Polish Insurrection.” <em>Polish-American Studies</em> 22, no. 2. (Jul.-Dec., 1965): 90-98.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
January 1863-1864
Diplomacy
France
Poland
Russia
United Kingdom
United States
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https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/4aa37409ec7b788d2f48542743afa693.png
5e610815578631863026486ddde6a04a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Smiling makes the day go quicker"
Creator
An entity primarily responsible for making the resource
Jenna Louie
Source
A related resource from which the described resource is derived
Tankus the Henge. "IKEA advert Russia/Россия - Smiling Makes The Day Go Quicker." Youtube.com. https://www.youtube.com/watch?v=V8H5qwDOp7I.
Date
A point or period of time associated with an event in the lifecycle of the resource
February 26, 2012.
Description
An account of the resource
This advertisement is at once bizarre and telling of Russian advertisements as we have experienced them throughout the course. While it begins with a young boy screaming at a poster in his room, it transforms into a cheerful family endeavor to redecorate (with items from IKEA, of course) in an image of what the happy, modern Russian family might look like. There is the quintessential grandmother, two parents, and two adorable children. (One of whom is going through a punk rock stage in her teens.) The use of Western music and clearly Western clothing choices as the teenager basks in the awesomeness of her wardrobe is a fantastic read into the lifestyle that IKEA wants to present to its Russian consumers – buy our wardrobes and fill them with plaid and jeans. This is hip, this is cool, this is modernity. Even the amount of actual stuff featured in the commercial – see the ending scene where the two children are surrounded by all the material comforts of their childhood – is telling for what it promotes as norms of this new consumer culture that the Russian middle class is now buying into.
Advertisement
Commerce
Economy
IKEA
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https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/2dd92fec681a6f7f63296dafd4a3f3f4.JPG
aad2ca025c48281d87d460a625263670
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
Two years
Event Type
Polish uprising against Russian control
Participants
Names of individuals or groups participating in the event
Nicholas I
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1863 Polish Uprising
Subject
The topic of the resource
Poland, Part 3
Description
An account of the resource
In 1863, many Poles rose up against the Russian government. One of the motivating factors was the religious difference: that Roman Catholic Poland was displeased with the control exerted by the Russian Orthodox Church. But when the uprising was crushed, Russian Orthodox suppression of the Roman Catholic church only increased.
Note that the borders portrayed are not Poland's modern borders, but the rough area of the uprising.
Creator
An entity primarily responsible for making the resource
Group 2
Source
A related resource from which the described resource is derived
Smitha, Frank. "Polish Resistance." Accessed 12 February 2014. 2003 http://www.fsmitha.com/h3/h47-ru5.htm
Image from http://en.wikipedia.org/wiki/File:Rok_1863_Polonia.JPG
Borders from http://en.wikipedia.org/wiki/File:Podzia%C5%82_terytorialny_Rzeczypospolitej_1863.png
Date
A point or period of time associated with an event in the lifecycle of the resource
1863-1865
Orthodoxy
Poland
Rebellion
Religion
Roman Catholicism
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9f514cec473a247fc5a73b9e933e453e
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
220 years of the USSR Academy of Sciences
Description
An account of the resource
A stencil celebrating the 200th anniversary of the Academy
Creator
An entity primarily responsible for making the resource
Vladimir Alekseevich Milashevskii
Source
A related resource from which the described resource is derived
http://www.artic.edu/aic/collections/artwork/192623
-
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1353576713cb5d97796e1a1e0de55db0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Revolutionary Age
Description
An account of the resource
The Revolutionary Age was published from November 1918 to August 1919. Edited by Louis Fraina, the publication was initially based in Boston but moved to New York in the summer of 1919. Shortly thereafter the newspaper was disbanded entirely, giving way to its successor The Communist. Its full title, The Revolutionary Age: A Chronicle and Interpretation of Events in Europe, reflects the European-facing focus of the communist party at the time. In 1918 clear reports of the Bolshevik Revolution were lacking and many of The Revolutionary Age’s contributors, such as John Reed, had themselves witnessed the events. And in these early years the expansionist push of the Soviet Union was felt to be fast-moving in its spread toward Western Europe. A great deal of the news presented followed the spread of socialism in countries such as Germany and France.
This headline, “Withdraw From Russia!” is particularly interesting in contrast to the New York Times headline also presented in this exhibit. Instead of depicting American forces as peacekeepers, the intervention is painted as an act of war. Furthermore – there is a disagreement between the two publications on what the “true Russia” is. Where The New York Times called Tsarist Russia the true Russia, the Revolutionary Age puts Russianness in the hands of the people: “The Russian people who had the revolutionary energy to overthrow Czarism… would and could overthrow the Soviet Government if they wished to.”
Creator
An entity primarily responsible for making the resource
A Revolutionary Age
Source
A related resource from which the described resource is derived
Revolutionary Age 23 Nov. 1918: 4. Marxist Internet Archive. Web. 04 May 2014. https://www.marxists.org/history/usa/pubs/revolutionaryage/v1n02-nov-20-1918.pdf
Publisher
An entity responsible for making the resource available
Louis Fraina
Date
A point or period of time associated with an event in the lifecycle of the resource
Nov 23, 1918
-
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89c17e6fc5f6a85f32832dc152b8cc9c
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/0fdfcc36c85da1ed9995eca7f257a0b8.mp3
f07169aae1f58f099a4971e7885bdabc
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c5f305c72dfd4922fac2c8397add3eb2
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abraham Rabinowitz
Creator
An entity primarily responsible for making the resource
Arielle Rabinowitz
Source
A related resource from which the described resource is derived
Corning, Amy D. Emigration, Generation, and Collective Memories: The Presence of the Past for Emigrants from the Former Soviet Union. Social Psychology Quarterly 73(2010):223-244.; Ellis Island. Ellis Island Passenger Records. http://www.ellisisland.org/search/passRecord.asp?MID=14212301940873805280&FNM=ABRAHAM&LNM=RABINOWITZ&PLNM=RABINOWITZ&first_kind=1&last_kind=0&TOWN=null&SHIP=null&RF=17&pID=100284070517.; Sarna, Jonathan D. & Golden, Jonathan. The American Jewish Experience through the Nineteenth Century: Immigration and Acculturation. http://nationalhumanitiescenter.org/tserve/nineteen/nkeyinfo/judaism.htm
Date
A point or period of time associated with an event in the lifecycle of the resource
1901-1990
Immigration
Jews
oral history
vantage points
-
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e872d33c868940f5f5b880567ea7389b
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/72f8b02f347cf77458ed794e820895c4.mp3
4afccd25e975ca3bcf2996d940894bbd
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/a4a40794d1823bf3c6aed8eb901591c2.jpg
5b229f495c22ef80831ca53236b99074
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abraham Selinger
Creator
An entity primarily responsible for making the resource
Samuel Coffin
Source
A related resource from which the described resource is derived
Rosen, Robert N. The Jewish Confederates. Univ of South Carolina Press, 2000.; Weeks, Theodore R. From assimilation to antisemitism: the" Jewish question" in Poland, 1850-1914. Northern Illinois Univ Pr, 2006.; Wieczerzak, Joseph. "American Reactions to the Polish Insurrection of 1863." Polish American Studies (1965): 90-98.; Ashkenazi, Elliott. The business of Jews in Louisiana, 1840-1875. University of Alabama Press, 1988.
Date
A point or period of time associated with an event in the lifecycle of the resource
1834-1904?
Immigration
Jews
New Orleans
oral history
vantage points
-
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213d6e5ce739a8f8969281b0867d7417
Person
An individual.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexander II, Tsar and Emancipator
Description
An account of the resource
<p> Alexander II, as the Tsar-Emancipator, provided ideological abolitionists with a new face of Russia that could dispel the previous notions of Russian autocracy and despotism. As noted in the exhibit, Alexander II signed a declaration of emancipation on March 3, 1861. The emancipation of the serfs played a great role in boosting esteem of him among abolitionist Americans as a fellow reformer against forces supporting the regressive Confederacy. Thus, Edward Everett, a Massachusetts politician (and president of Harvard University),<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftn1">[1]</a> wrote in glowing terms of the “enlightened Prince” who gave his support to the Union against a Confederacy openly avowing its foundation on “the cornerstone of Slavery.”<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftn2">[2]</a> Cassius Clay would echo such praise after his own personal encounters with the Tsar. He told one American audience in 1862 that “not only Alexander, but <em>his whole family are with you</em>, men, women, and children.”<a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftn3">[3]</a> Even if much of the Russo-American alignment had been built on resisting Britain and France, American abolitionists saw Alexander II as a personal friend and one of the few world leaders advocating a process of reform similar to that of American emancipation.</p>
<p> </p>
<div><br clear="all" /><hr align="left" size="1" width="33%" />
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftnref1">[1]</a> “Everett, Edward.” <em>Biographical Directory of the United States Congress</em>. http://bioguide.congress.gov/scripts/biodisplay.pl?index=E000264</p>
</div>
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftnref2">[2]</a> Edward Everett. “The Sympathy of Russia with the United States, Views of Edward Everett,” <em>New York Herald, </em> reprinted in <em>New York Times, </em>October 15, 1861.</p>
</div>
<div>
<p><a title="" href="file:///C:/Users/Samuel/Dropbox/Harvard/SW%2052/Final%20Project/Alexander%20II%20Item.docx#_ftnref3">[3]</a> Benjamin Platt Thomas, <em>Russo-American Relations, 1815-1867</em>. (Baltimore: The Johns Hopkins Press, 1930)<em>, </em>129.</p>
</div>
</div>
Creator
An entity primarily responsible for making the resource
Samuel Coffin
Source
A related resource from which the described resource is derived
<div>
<p>Edward Everett. “The Sympathy of Russia with the United States, Views of Edward Everett,” <em>New York Herald, </em> reprinted in <em>New York Times, </em>October 15, 1861.<br /><br />"Everett, Edward.” <em>Biographical Directory of the United States Congress</em>. http://bioguide.congress.gov/scripts/biodisplay.pl?index=E000264</p>
</div>
<div>
<p>Benjamin Platt Thomas, <em>Russo-American Relations, 1815-1867</em>. Baltimore: The Johns Hopkins Press, 1930.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
March 3, 1861
Alexander II
Russia
Serfdom
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ccb75478ed4f0e47211b5efbd1a55e7a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Aral Sea Deep Map
Description
An account of the resource
Aral Sea Deep Map: screenshot
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https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/722162c972f82ee0926e6af36927fe25.png
2b35d9e19f03d55d90e11b961310769b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Belomor Deep Map
Subject
The topic of the resource
Belomor Deep Map screenshot
-
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/e342db447d79bb8946ea85c81ceef036.jpg
756b03acfa64acf13f915cfe578c0632
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Object Biographies
Description
An account of the resource
Here are the object biographies generated for the SW52 Unit 4 Assignment.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Black Square
Source
A related resource from which the described resource is derived
http://www.hermitagemuseum.org/html_En/04/b2003/hm4_1_30.html
Date
A point or period of time associated with an event in the lifecycle of the resource
January 1, 1915
Rights
Information about rights held in and over the resource
"The contents of this site, including all images and text, are for personal, educational, non-commercial use only. The contents of this site may not be reproduced, in whole or in part, in any form without the written permission of the State Hermitage Museum. Images on this web site have been invisibly watermarked; any attempt to remove the watermarks from these images is expressly forbidden."
Format
The file format, physical medium, or dimensions of the resource
Oil on canvas, 53.5 x 53.5 cm
Description
An account of the resource
Black Square was created in 1915 by Kasimir Malevich as a “total eclipse” of objective forms – a proclamation of Suprematism, a new artistic movement that eschewed depiction of objective forms in favor of working with cosmic space – an aesthetic philosophy decades ahead of Western artists. The movement was at first well-received by the Soviets – early communists were seeking to build a new way of life, including new art forms – but eventually, such radicalism was cast aside in favor of totalitarianism and Socialist realism, and Malevich’s works were confiscated and put in storage, where they would remain until prerestroika.
Contributor
An entity responsible for making contributions to the resource
Darius Altman
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
||||osm
Date of production: summer 1915
Date of first exhibition: December 1915
Re-emergence to the Western World: 1988
Assignment: Object Bios
Avant garde
Bombast
Repression
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https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/60ca97af1ab19d52ca2a6550825011d6.jpg
d22a4d19bbb1aab0254d43bbd973f72b
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/7a90ed3c76fae2bcb3b09d3a18c91277.jpg
9520b91bdfafaf470e95b65b1a621499
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/7d304a491e4ce17058a63f0d1bd16881.jpg
7cd345fa4eeacaeb116524ae5a0e7241
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/ecaec05aa777534d98354935f8cd73a4.jpg
abc999cfa07afefa9edb410993019327
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Object Biographies
Description
An account of the resource
Here are the object biographies generated for the SW52 Unit 4 Assignment.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bolshoi Theater
Source
A related resource from which the described resource is derived
http://bolshoi-theatr.ru/photo.php (an unofficial website about the Bolshoi Theatre)
Creator
An entity primarily responsible for making the resource
Rena Wang
Date
A point or period of time associated with an event in the lifecycle of the resource
1776-01-01/2014-12-31
Rights
Information about rights held in and over the resource
Note: does not appear to have rights information on the website since it is unofficial. Since the website (from which the main image was set) is in all Russian, however, there is a possibility that the rights were embedded and I missed it even though I translated the page.
Format
The file format, physical medium, or dimensions of the resource
Theater for dance, opera, and more.
Description
An account of the resource
The Bolshoi Theater, one of the most storied and dramatic artistic sites in modern Russian history, encapsulates several different aspects of Russian history and culture. Founded by Catherine the Great in 1776 to help promote the ballet and the arts in Russia, the Bolshoi Theater has become centrally important to not only specific events and instances in Russian history, but also in defining the changing concept of “Russianness” over time. The sociopolitical history and material changes of the Bolshoi Theater offer a juxtaposing, unique, and ever-changing lens through which to understand the domestic and international takes on “Russianness.”
Art history
Assignment: Object Bios
Reconstruction
Transformation
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f4a445c597308205b2207d2317f03d0a
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Boston Symphony Orchestra Soviet Tour (1956)
Source
A related resource from which the described resource is derived
Richmond, Yale. "Cultural Exchange and the Cold War: How Art Influenced Policy." Journal of Arts Management, Law & Society 35 (2005): 239-245.
Date
A point or period of time associated with an event in the lifecycle of the resource
September, 1956
-
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/89bb6ae11615c8bab6ef2d47b9026576.jpg
983a1d1b56440edb1d6c5f7ea251f34f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Object Biographies
Description
An account of the resource
Here are the object biographies generated for the SW52 Unit 4 Assignment.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bottle of Stolichnaya vodka
Source
A related resource from which the described resource is derived
http://spimport.ru/brands/products.php?id=12
Creator
An entity primarily responsible for making the resource
Kelly O'Neill
Description
An account of the resource
[Object biography related to Thursday's lecture]
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
|0|0.0000000|0.0000000|osm
POINT(468775.67416835984 6062863.314044959)
Date
A point or period of time associated with an event in the lifecycle of the resource
1938-01-01/2014-12-31
Assignment: Object Bios
-
https://s3.amazonaws.com/atg-prod-oaas-files/russiaglobal/original/0d8337060243d45b6790c9c44074358c.jpg
05173da018ebe91eac78eb4e055a77ec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Object Biographies
Description
An account of the resource
Here are the object biographies generated for the SW52 Unit 4 Assignment.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Budenovka
Source
A related resource from which the described resource is derived
http://commons.wikimedia.org/wiki/File:Budenovka_hat,_Russian_civil_war_1918-1920-s_period._Konakovo_museum_of_local_stuides,_Russia,_2009.jpg
Assignment: Object Bios